Panasonic Field Monitor True 16×9 format aspect ratio with 1366 x 768 resolution Audio level meters superimposed and see through – up to eight channels from HD-SDI (new) Embedded audio capability now built-in as standard equipment 80% of 4×3 safety marker can now be seen in 16×9 mode “Pixel to Pixel” mode for 720 or 1080 HD signals for critical focusing 26″ diagonal yields four 13″ pictures when used with a quad splitter High-speed response — no blurring during pans thanks to our overdrive circuit Industry’s lowest delay image processing circuit — new I/P conversion algorithm converts interlaced signals to progressive signals with minimal delay, Waveform monitor — a superimposed function that graphically displays luminance levels from -5 IRE to 108 IRE in any of the monitor’s four corners Freeze frame – frame grab for image comparison / analysis (entire frame or center) Split screen function for critical color matching (live input vs. freeze frame) Two SD/HD-SDI auto sensing inputs with one active thru-out Frame marker lines (4:3, 16:9, 2.35:1) with side panel shading at 0%, 50%, or 100% Five function buttons (user-defined) can be set to WFM, Blue Only, H/V Delay, “Pixel to Pixel”, Monochrome, Aspect ratio, Gamma select, Auto-setup, Scan, and 2/4/8 audio level meters Faithful color reproduction — closely matches chromaticity of CRT monitors Diagonal Line Compensation smoothes out “jaggies” for improved SD response — new algorithm reduces picture degradation to near zero in vertical direction, detects correlation of diagonal direction, and minimizes aliasing that causes degradation in the moving picture 176 degree horizontal and vertical viewing angle CineGamma compensation – expressly for VariCam FILM-REC monitoring One-piece design – no umbilical cord or separate AC power supply Component input on BNC connectors – Y, Pb, Pr, PC RGB inputs and composite & Y/C Amplified stereo speakers (two RCA pin jacks input or embedded audio on SD/HD-SDI included) Color temperature selection (D9300K / D6500K / D5600K / user adjustable) 2.35:1 anamorphic mode for viewing 16:9 cameras with anamorphic lens adapter GPI and RS-232C ports for external control Menu can be positioned in five different screen locations Menu control of built-in fan Preset/manual video control adjustments with indicator lights for non-unity settings
